ORIGINE

My practice originates from a relational perception of the world in which objects, language, and space are not independent entities, but are animated through connections and attention.

This sensibility, deeply rooted in Japanese cosmological thinking, perceives even the smallest elements of daily life as inhabited by presence. Words, materials, and gestures are treated as entities with agency, requiring care, precision, and respect in their formation.

Within this framework, making becomes a form of negotiation with invisible relationships rather than the production of objects.

My work translates this perceptual structure into fictional artifacts and spatial compositions, where myth, material, and ritual coexist as living systems.